ironymaiden: (taciturn man)
[personal profile] ironymaiden
migraine today, only able too look at a screen for the last hour or so.

in that time an internet rabbit trail led to this: "Do you hate Xander Harris? This is the post for you."*


*and it's totally for me, even though i disagree with the passing comment about Oz.

Date: 2011-04-08 01:45 am (UTC)
From: [identity profile] sinthrex.livejournal.com
I don't even disagree with the writer and I'm still...impressed at the amount of bile one can generate at a television character, and yet have still made the decision to watch the whole series.

Just, wow.

Date: 2011-04-08 05:47 am (UTC)
From: [identity profile] textualdeviance.livejournal.com
That's the part I don't get, really. She's totally right about both Xander and Joss being faux-feminist "nice guy" asshats, but really... Why keep watching a show created by said asshat?

I get that a lot of people watched it first-run when they were young and hadn't yet had their lightbulb moments, so maybe that's it. Me, I was a couple of years too old to be into it at the time, so I skipped over it. Never got the appeal, and thus never got the appeal of anything else Joss did later on.

If he didn't keep insisting he's a feminist because he gives weapons to cute young things, I probably wouldn't mind so much. As-is, I think he's a complete douche.

Date: 2011-04-08 10:38 pm (UTC)
From: [identity profile] joyful-storm.livejournal.com
I actually liked Dollhouse; I'm not at a mental place to rigorously defend that point of view at the moment, but I am glad I watched it.

I came to Whedon's body of work as a skeptic, all of it after it was off the air, so I didn't have any real emotional investment in the Joss-as-brilliant-creator trope many folks I know have fallen from in disillusion.

Date: 2011-04-08 10:33 pm (UTC)
From: [identity profile] joyful-storm.livejournal.com
I have now totally spent the day surreptitiously reading the rest of 30 days of Buffy.

Excellent observations on the evolving comprehension of humanity on the part of Anya, the wide-ranging narrative impacts of the death of Jenny Calendar, Willow's beautifully-framed-but-ultimately frustrated arc as villain, Faith as Ereshkigal figure to Buffy's Inanna, and how white feminists sometimes blind themselves to the race privilege they may enjoy whilst fighting their battles and so not win universal suffrage after all really.

(All of which may well answer the "Why keep watching?" question.)

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